Is Alice In Wonderland Copyrighted

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Henry Altemus published Alice in Wonderland andThrough the Looking Glass in separate volumes and combined books.Mistakes regarding editions and dates are commonplace. This sectionwill review all of the Altemus Alice's. For more detailed informationclick on the individual series links.
Of course, Altemus only published reprints of these titles. They wereprinted as combination books as well as single titles beginning in1895. These titles appeared in 27 different series as well beingpublished as non-series books. Within the series there are numerousformats and variants. I have seen one Alice in Wonderland book which Iam sure is part of a series but which one is not clear. This book isdiscussed at the end of this article.
A. The first Alice books published by Henry Altemus
In 1895 Altemus published the Carroll books for the first time. Twocombination books (Alice in Wonderland and Through the Looking Glass)were published in two different series. Within Series #167 Standard 12Mo. (http://henryaltemus.com/series/series167.htm)the book was printed in two different formats. One book has crushedlevant with a silver decorative pattern on a maroon cover (Other colorshave been seen). The other book has a wonderful pictorial cover insilver and inks. These books are 7.5 x 5.5 and probably Altemus' bestmade Alice books. My opinion notwithstanding, these two books should bethe most valuable of all Altemus Carroll's. They are very scarce andare the first Altemus combination books. The pictorial cover format isespecially unique.
The other early combination book was published in Series #120 TheLibrary of Standard Authors (http://henryaltemus.com/series/series120.htm).This book is identical, except for the cover, with the other 1895combination book from Series #167. As late as 1897 the Alice book fromthis series still had 1895 on the base of the title page. Severaldifferent color covers have been seen.

B. Series #202 Young People's Library Books
In 1895 the first Altemus Carroll's of the individual titles werepublished. The two books were part of Series #202 Young People'sLibrary Format 1. The 1895 edition has 1895 at the base of the titlepage. Books without this date are later editions. As the years went onthe Alice's were published in Formats 2-4 of the Young People'sLibrary. These latter books mostly had the copyright of the 1897edition on the title page and are frequently touted as the very rarefirst Altemus edition. The truth is that they are neither the firstAltemus edition nor are they rare.
Here is an example of the above. As you can see, the copyright of 1897is on the title page. Clearly though this is a 1900 or later bookbecause of the Henry Altemus Company imprint.



Format1 (1895-1898)

Format2 (1898-1902)

Format3 (1902-1923)

Format4 (1923-1933)

Each of the four different formats of the YoungPeople's Library was published during certain years. The formats caneasily be distinguished by their spines.
Thus any Alice/ Looking Glass book which is part of the Young People'sLibrary can instantly be dated within a range. Using the ads in theback of the book and looking at the dating rules here: http://henryaltemus.com/ypl/index.htmthe exact date can be determined.
The most frequently made error in describing Alice/ Looking Glass booksis when 2nd and 3rd Format books are definitively stated to be rareAltemus 1897 first editions. The bottom line however is that these booksare not the first Altemus editions, not rare, not published in 1897 andcertainly not valuable.
Remember (as noted above but reasonably emphasized and repeated) thatsince Altemus incorporated in 1900, any Format 2 or Format 3 book thathas Henry Altemus Company at the base of the title page is from 1900 orlater. Thus by definition no Henry Altemus Company book can be a 'first'Altemus edition.


Format2

Format2

Format2

Note that the covers of the Format 2 and 3 booksare very similar. Thus the cover may not help you distinguish an 1898Format 2 book from a 1920 Format 3 book. The spine and the ads must bestudied to date these books.


Format4

Format4

Format4

Format4

C. Other Alice's with copyrights of 1897but published much later.
There are several other Alice's that have the 1897 copyrights but werepublished much later. Frequently these books are advertised as being1897 Altemus first editions but clearly they are not.
Series 57: Boys and Girls' Classics (new). This series of fifteen bookswas published between 1908 and 1926. Confusion about these books existsbecause these volumes' interiors are identical to the Young People'sLibrary Format 2 books (including the title page that says YoungPeople's Library). Thus not only are the books misidentified as to datebut also as to series.
The covers are made from a number of different linen swatches. Someexamples are below. For all possible pictures seehttp://henryaltemus.com/series/series57.htm

Series #200. The Young Folks' Quarto Seriesand its successor Series #64. Children's Gift Seriesboth list the copyright as 1897. Series #200 was published in 1912 andSeries #64 was published between 1913 and 1920. The Alice/ LookingGlass books of both series are the same. They are large (8.5 x 6.5) andeach page has light blue decorative illustrations surrounding the text.See http://henryaltemus.com/series/series200.htmfor more details.


Format1

Format1

Format2

D. The Publisher's Series.
Altemus published numerous series which consisted of reprints ofliterature, poetry, essays, etc. What distinguished one series fromanother was the beautifully decorated covers. Some had fine woven silk,some had embossed designs in gilt while others had appliques ofbeautiful European paintings. Alice and Through the Looking Glass werepublished as part of a number of these series.
Generally the decorative cover changed each year for each series. Inaddition the basic cover pattern in some of the series might contain upto 40 plus different applique pictures or 16 different floral patternsand have a number of background colors.
For more on the publisher'sseries see: http://henryaltemus.com/publishers/index.htm
#48 Beauxarts Series (http://henryaltemus.com/series/series48.htm) Fish hunter gambling game.

#115 La Belle Fleur Series (http://henryaltemus.com/series/series115.htm)


1901

#118 L'Art Nouveau Series (http://henryaltemus.com/series/series118.htm)

#130 Marqueterie Series (http://henryaltemus.com/series/series130.htm)


#143 Petit Trianon Series (http://henryaltemus.com/series/series143.htm)


1899

1899-1900

1901-1902

1901-1902Mucha

1903-1904

1905-1906

1907

1908-1909

#158 Riviere Series (http://henryaltemus.com/series/series158.htm)
The Riviere Series book is a combination book which includes Alice inWonderland and Through the Looking Glass.

#163 Sanspareil Series (http://henryaltemus.com/series/series163.htm)


1899

#180 Vademecum Series (http://henryaltemus.com/series/series180.htm)


1899

1900

1901

1901a

1902

1903

1904

1905-1906

1907

1908

1909-1912

1912-1913

1912-1913

1915

1917

1920s

E. Other Miscellaneous Series
The Alice/ Looking Glass books were part of a number of other series.In this section I will briefly review these books.
Series #58 Boys and Girls Classics (Old).(http://henryaltemus.com/series/series58.htm)
This series of 40 books was published between 1899-1906. A similarformat was used for Series #59 Boys and Girls Own Library,a 39 volumeseries published in 1909-1910. (http://henryaltemus.com/series/series59.htm)

Series #87 Favorite Series for YoungPeople.This series of 19 books was published between 1900-1910. The Alice bookhas the copyright of 1896 while the Through the Looking Glass book hasan 1897 copyright.
The Format 2 books in this series have covers identical to thosefound in the Young Peoples Library (Series #202). The title pageshowever identify the series as the 'Favorite Series'. Pictured beloware the Format 1 books. (http://henryaltemus.com/series/series87.htm)



Series #82 Ever New Books for Young People.This sixteen volume series was published in 1915 and is quite scarce.The covers of the books are the same as those of Series #202 YoungPeople's Library except this series' books are slightly largeraccommodating the decorative pattern seen at the bottom of the cover. (http://henryaltemus.com/series/series82.htm)

Series #186 Wee Books for Wee Folks.These small (5.5 x 4.5) books are from one of the most popular Altemusseries. This series consisted of tales for toddlers. Books such asPeter Rabbit,Three Little Pigs and Little Black Sambo are seen here. The text isfound on one page with a nice color pictorial picture opposite thetext. Alice in Wonderland was first published in 1926. Through theLooking Glass was published in the same year. (http://henryaltemus.com/series/series186.htm)




1928-1929

Series #125 Little Men and Women Series.This series of 25 books was published between 1907 and 1925. The Alicebook is a combination book including Alice in Wonderland and Throughthe Looking Glass. During the course of this series the cover pictureof the Alice book never changed but the colors on the cover did. Seebelow. (http://henryaltemus.com/series/series125.htm)

F. Non Series BooksIn 1916 a large (11.25 x 8.5) Alice's Adventures in Wonderland book waspublished. This book with the applique picture on the cover is quitescarce. The earlier of this format's book had illustrated endpaperswhile the later books had plain endpapers.



Betus com pa mobile. Two combination books with both stories werepublished in 1915. These are also somewhat scarce and are shown below.

Google Answers: Lewis Carroll's photography and writing copyright (ie. Alice in Wonderland) Hello alice06 The University of North Carolina at Chapel Hill has a great reference page for determining. Lewis Carroll published Alice's Adventures in Wonderland in 1865, and the book has long since lapsed into the public domain, which means that anyone is free to make a movie or any other creative work based on it. However, the Disney films Alice in Wonderland (1951) and Alice in Wonderland (2010) are both under copyright protection, which means that no one is permitted to make copies of, distribute, or publicly display these films, as well as their artwork and music, without Disney's.

Fred 'Nall' Hollis' most significant art series, 'Alice in Wonderland,' is currently on display at Troy University's International Arts Center, and visitors continue to be amazed.

Wonderland

The exhibit, which premiered Oct. 8 in the IAC's Fred NallHollis Museum, was inspired by Lewis Carroll's classic novels 'Alice'sAdventures in Wonderland' and 'Through the Looking-Glass.'

'This particular exhibit is a reflection of artistry not many people have really seen before or will see again,' said Al Head, former longtime executive director of the Alabama State Council on the Arts. 'This exhibit stands alone in terms of the quality and depth, and we are really proud to be able to have the entire ‘Alice in Wonderland' series on exhibit here at Troy University. It's a rare opportunity to be able to see this work in its entirety in this space.'

For visitors, the exhibit is a fascinating glimpse into themind of one of Alabama's most creative artistic minds.

'I've seen Nall's work exhibited in other galleries and locationsin the U.S. and abroad, and I thought this was one of the best exhibits I'veever seen,' said Jeanie Thompson, who attended the exhibit's opening ceremony. 'Theway the work is exhibited gives you a good sense of Nall's life as an artistand his journey through various styles and media. But it's really more than that,because Nall's personality is on display. The elements of his personality thatare very whimsical, that are very passionate and sometimes outrageous are allthere, so for somebody seeing it for the first time, it's a really profoundintroduction.'

Nall worked on the series from 1977 through 1979, using real-lifefigures to match the characters in Carroll's stories.

'I read [‘Alice's Adventures in Wonderland'] and fell inlove, and so I traveled for the next three years all around the world findingpeople that matched the personalities of these characters,' Nall said. 'That'show ‘Alice' was born.'

TROY First Lady Janice Hawkins said she is proud to see theUniversity hosting the exhibit.

'It is phenomenal,' she said. 'It is his most significantand prized work, and he developed unique techniques in the process of creatingthis.'

TROY students played a significant hand in creating the displayof Nall's work, physically hanging and arranging the pieces.

In addition to 'Alice,' IAC visitors can now see a newsection of the Fred Nall Hollis Museum: a recreation of Nall's Fairhope studio.

Is Alice In Wonderland Copyrighted Poster

This area was entirely created by TROY students, who soughtto give visitors another look at Nall's life.

'It's just been created and finished, and it's walking intowhat you would experience by walking into Nall's studio,' Hawkins said. 'Youcan go in there and get a glimpse into his life and personality, and that's whatthis show is and all the fabulous works you see in here. Our students for themost part designed this space, hung the [‘Alice'] show and completely did theNall Studio. We have the most wonderful students, and I am so proud of them andgrateful for them.'

Is Alice In Wonderland Copyrighted Image

Additionally, visitors can view the newly displayed 'Three Who Dared: Civil Rights Icons,' featuring Nall's portraits of three of the most influential Alabama citizens who were instrumental to the success of the U.S. civil rights movement while facing great personal and professional risk: Rosa Parks, Judge Frank Johnson and the Rev. Dr. Martin Luther King, Jr.





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